URBAN CURATING 城市策展 - FACE TRACKING 人脸追踪 - VIRTUAL REALITY 虚拟现实 - RELAX AREA 休闲区 - AUGMENTED REALITY 增强现实 - RAILWAY STATION 火车站 - URBAN CURATING 城市策展 - FACE TRACKING 人脸追踪 - VIRTUAL REALITY 虚拟现实 - RELAX AREA 休闲区 - AUGMENTED REALITY 增强现实 - RAILWAY STATION 火车站 - URBAN CURATING 城市策展 - FACE TRACKING 人脸追踪 - VIRTUAL REALITY 虚拟现实 - RELAX AREA 休闲区 - AUGMENTED REALITY 增强现实 - RAILWAY STATION 火车站 - URBAN CURATING 城市策展 - FACE TRACKING 人脸追踪 - VIRTUAL REALITY 虚拟现实 - RELAX AREA 休闲区 - AUGMENTED REALITY 增强现实 - RAILWAY STATION 火车站 -URBAN CURATING 城市策展 - FACE TRACKING 人脸追踪 - VIRTUAL REALITY 虚拟现实 - RELAX AREA 休闲区 - AUGMENTED REALITY 增强现实 - RAILWAY STATION 火车站 - URBAN CURATING 城市策展 - FACE TRACKING 人脸追踪 - VIRTUAL REALITY 虚拟现实 - RELAX AREA 休闲区 - AUGMENTED REALITY 增强现实 - RAILWAY STATION 火车站 - URBAN CURATING 城市策展 - FACE TRACKING 人脸追踪 - VIRTUAL REALITY 虚拟现实 - RELAX AREA 休闲区 - AUGMENTED REALITY 增强现实 - RAILWAY STATION 火车站 - URBAN CURATING 城市策展 - FACE TRACKING 人脸追踪 - VIRTUAL REALITY 虚拟现实 - RELAX AREA 休闲区 - AUGMENTED REALITY 增强现实 - RAILWAY STATION 火车站 - URBAN CURATING 城市策展 - FACE TRACKING 人脸追踪 - VIRTUAL REALITY 虚拟现实 - RELAX AREA 休闲区 - AUGMENTED REALITY 增强现实 - RAILWAY STATION 火车站 - URBAN CURATING 城市策展 - FACE TRACKING 人脸追踪 - VIRTUAL REALITY 虚拟现实 - RELAX AREA 休闲区 - AUGMENTED REALITY 增强现实 - RAILWAY STATION 火车站 - URBAN CURATING 城市策展 - FACE TRACKING 人脸追踪 - VIRTUAL REALITY 虚拟现实 - RELAX AREA 休闲区 - AUGMENTED REALITY 增强现实 - RAILWAY STATION 火车站 - URBAN CURATING 城市策展 - FACE TRACKING 人脸追踪 - VIRTUAL REALITY 虚拟现实 - RELAX AREA 休闲区 - AUGMENTED REALITY 增强现实 - RAILWAY STATION 火车站

Image In Place


Image In Place – 叠影入境

Chen Hui 陈辉 , Qiao Liu 乔柳, Zhong Kai 钟凯

Augmented Reality (AR) technology can integrate complex professional information into space in form of dynamic graphics. It allows people to see the visualized logical structure and professional discipline achievements, see the covered space, and see the historical and future urban features in the real urban environment. Therefore, people’s understanding about the development, the operation logic and the spatial characteristics of the city are improved.

Through AR technology, people have an “eye” for a thorough observation of the city. When the UAV takes this “eye” high into the sky and flies freely, people can transcend their physical smallness and gain a macro perspective that they can control.

This is an eye provided by urban civilization for people to observe the city, and urban civilization also provides rich data information and interpreting paradigms for such observation. Therefore, we think that this eye can be called “the eye of the city”.

When people have this eye, they can be regarded as god in a sense. Not only can they achieve a transparent state of being fully aware, but they can also form a virtual image of their ideas and designs about the city , and then convey them to others intuitively and transparently through the “eye of the city”. In this way, Communication between people will be more effective than ever.

In this work, we choose Chongqing Hualongqiao area as our experiment site. After using photogrammetry technology to reconstruct the model of this region, and inviting experts from different areas to provide professional information, we have fused UAV aerial pictures and photogrammetry reconstruction 3d scenes with programming dynamic graphics to generate animation of AR, which combines the special topography with the city status of Chongqing in different historical periods to form a series of dynamic, millennial and in-depth digital analysis.

增强现实技术能够将复杂的专业信息以动态图的形式融入空间,使人们在现实的城市环境中看到形象化的逻辑结构与专业学科成果,看到被遮挡的空间,看到历史与未来的城市风貌等。从而,人们对城市发展脉络、城市主要运行逻辑与城市空间特征等等方面的认知深度将得到有效提升。

通过增强现实技术,人们具备了一只透彻观察城市的眼睛。当无人机将这只眼睛带上高空并自由穿梭,人们才得以超越自己肉体的渺小,获得一个宏观的、可以掌控的视角。

这只眼睛由城市文明所带来,用以观测城市,城市文明也为这种观察提供丰富的数据信息与解读范式。因此,我们称这只眼睛为“城市之眼”。

人类拥有了这只眼睛,在某种意义上可化身为神,既在认知上达到宛如全观全知的通透境界,更能够将自己关于城市的创想与设计形成虚拟形象,通过“城市之眼”直观通透地传达给他人。于是,人与人之间的交流沟通将会达到空前的效能。

本作品中,我们选择重庆市化龙桥片区作为我们的实验场地,采用摄影测量技术重建了这一区域内的城市模型,邀请了不同领域的城市学科专家提供专业资料与分析,将无人机航拍画面、摄影测量重建的三维场景与编程动态图形融合在一起,生成增强现实的动画,将这一区域特殊的地形地貌与重庆不同历史时期的城市状态相结合,形成一系列动态的、跨越千年时间的、深入的数字化解析与展望。

Credits:

Chen Hui 陈辉 (director/producer), Qiao Liu 乔柳, Zhong Kai 钟凯, Yu Sen 余森, Chongqing Paramland Landscape Design Co., Ltd., Fang Erqing 方尔清, Wan Ziyu 万梓宇, Chongqing Municipal Research Institute of Design (public space consultant).